I extend my gratitude to the museums, programs, and authors who provided the valuable information I needed to properly study these prints. Listed below are the main sources I used throughout my research. |
On CaricatureCatalogue of Political and Social Satires Preserved in the Department of Prints and Drawings in the British Museum. 11 vols. London: British Museum, 1870-1954.
Donald, Diana. The Age of Caricature: Satirical Prints in the Reign of George III. New Haven: Yale University Press, 1996. Godfrey, Richard, and Mark Hallett. James Gillray: The Art of Caricature. London: Tate Publishing, 2001. Haywood, Ian. Romanticism and Caricature. Cambridge: Cambridge Univ Press, 2013. Paulson, Ronald. Hogarth's Graphic Works. 3rd ed. London: The Print Room, 1989. Wright, Thomas, and R. H. Evans. Historical & Descriptive Account of the Caricatures of James Gillray: Cromprising a Political and Humorous History of the Latter Part of the Reign of George the Third. New York/London: Benjamin Blom, 1968. On RomanticismBeall, Karen F. "The Interdependence of Printer & Printmaker in Early 19th-Century Lithography." Art Journal 39, no. 3 (Apr 1, 1980): 195-201.
Eitner, Lorenz. Géricault: His Life and Work. London: Orbis, 1983. Gassier, Pierre, and Juliet Wilson. The Life and Complete Work of Francisco Goya: With 2148 Illustrations including 48 Colour Plates. Edited by Francois Lachenal. New York: Reynal &, 1981. Ivins, William M. "Goya's Disasters of War." The Metropolitan Museum of Art Bulletin 19, no. 9 (1924): 220-24. Licht, Fred. Goya in Perspective. Englewood, NJ: Prentice-Hall, 1973. Paret, Peter. Imagined Battles: Reflections of War in European Art. Chapel Hill (N.C.): University of North Carolina Press, 1997. Prendergast, Christopher. Napoleon and History Painting. Oxford: Clarendon Press, 1997. Hofmann, Werner. Goya: To Every Story There Belongs Another. New York, NY: Thames & Hudson, 2003. Vaughan, William. Romantic Art. Oxford University Press, 1978. The Disasters of War by Francisco Goya. MIT OpenSourceWare: Royal Academy of Fine Arts of San Fernando, 1863. General Information, History, and BiographyClifton, James. The Plains of Mars: European War Prints ; 1500-1825 ; from the Collection of the Sarah Campbell Blaffer Foundation ;. New Haven, CT: Yale Univ. Press, 2009. Eisenman, Stephen, and Thomas E. Crow. Nineteenth Century Art: A Critical History. London: Thames & Hudson, 1994. Paulson, Ronald. Representations of Revolution: 1789-1820. Yale University Press, 1983. |
Museum of Fine Arts, Houston Collection of the Sarah Campbell Blaffer Foundation (unless otherwise cited) I want to specifically thank my mentor Shannon Egan for her help and for editing my papers. Because of her, my writing is more professional and succinct. I am much more confident in my capabilities in academic writing and research. |